Showing results for 2015
Gary Coleman walks into a bar and says something sassy, but the bartender’s a bear, so instead of replying he stands on a big rubber ball and juggles. There’s a song maybe too, in the foreground perhaps, something an organist might feel inclined to play.
If you’re of the age to have returned that difficult game (I’m too trapped nowhere between gen Xers and millennials to pipe up about this or anything, though I favor the X for its aesthetic absurdities pluming in the early-to-mid 90s culture that raised me), or are of the mindset to grouse at the receipt for any difficult entertainment, then your whole life is probably you snitching on yourself under the guise of being genuine, and you should continue to embrace your deciphered and dimensionally rounded community of bullshit Star Wars enthusiasm which predominately infects the arts (or get fucked in your ball cap).
If someone insists you smile, it might as well be rape. This movie found a way to nitpick itself the way these types nitpick everyone around them about presenting the right attitude. Someone in this land will always be subjecting you to the editorial fructose of their imperial fertility. If Bird’s intent was to satirize our fretful American condition, I didn’t understand, because I left the fucking theater right when the film began – about an hour in.
There’s so much freakshow in you, Charlie, I thought: I love you, but, look, you’ve been treated like a citizen enough to have cop friends. Sometimes I think you think all creative expression falls under Reganomics. Then he’s in my face with six reasons why I’m hardly pubic or adjusted. Yes, I’m a pussy. I get it.