Banged Erasers
Damon Hubbs
Amazing fucking Grace,
tell them
how you’re production
and I’m consumption
and how we mess around
with gender roles
Put simply, Swinehart writes like Wallace, and this similarity reminds me of something Wallace once said in an interview with Richard Powers and John O’Brien about his ideal reader: “If stuff is going well, it feels like I’m talking to somebody. Or like there’s somebody there. And I think it’s somebody rather suspiciously like me.”
if you listen to duran duran while prancing around in nature and it's mostly overcast, you will feel like you're missing, but not loved enough to be put on a milk carton
Amazing fucking Grace,
tell them
how you’re production
and I’m consumption
and how we mess around
with gender roles
Every morning I’d wake up, walk to Target and take a hangover dump in their nice clean bathroom
James served ten years in prison. His crucial impasse occurred a week after his life in the clink—under a neon sign that read Green Goddess.
Love is like a museum. You have to look around, experience things, and then leave.
"I loved reading Exit, Carefully. It’s unusual, and in my opinion exciting, to publish a play without previously receiving a major production."
-Walker Caplan, Lithub