A Blowjob from the 1970s & The Censorship of Disabled Writers
The Cyborg Jillian Weise
Bill Peace 12:49
If I gotta start explaining ableism...
Jillian Weise 12:51
I know, in the fricking hospital.
Bill Peace 12:49
If I gotta start explaining ableism...
Jillian Weise 12:51
I know, in the fricking hospital.
I suppose a meaningful conclusion I came to was that it's often fruitful to follow diversions and accidents, but that you have to create the conditions to experience them.
My favorite blurb about Amy Long's essay collection, Codependence, is Joshua Mohr saying: "Long leads her readers into emotional investigations and she has the courage to never flinch." To do what
I had the pleasure of meeting the poet Richie Hofmann for the second time this February when he came to Bloomington to give a reading. We spent the afternoon laughing and touring the recently-reopened
i used to write on adderall like a million years ago or when drinking also but thats stopped. like once, last year, i wrote a short story while drinking, and i cant even remember where i saved it so idek if its any good, bc after a while i got distracted and started watching YouTube makeup reviews.
I write about dark things a lot but not without at least some hope…or hope for hope.
I wrote for twenty years without anyone paying me or offering me confirmation or telling me that what I wrote would be welcomed by the world. Quite the contrary.
"Gary” always felt like a misnomer to me, something I had to put up with to keep the peace.
Jenny Irish and I sat down to discuss her stunning debut, Common Ancestor, with Black Lawrence Press. Her prose poem, "A Brief History of Motivations" was published on our site in
A Flash Book Review of ‘50 Barn Poems’ and Brief Interview with Zac Smith
I think they mean they just don't like a woman going around going "cunt cunt cunt."
...a person is like an ocean, or a country, or a forest...
The 550-page the Internet is for real by poet, activist, educator, and underwear model Chris Campanioni struck me earlier this year as a much-needed treatise on "post-Internet" culture. Yes, I found
I'm four months late posting this interview, and that's on me, but it's a testament to Sam Ross's debut collection, Company, that I've thought of it at least weekly since. His poems are deceptively
When I was younger, if you had a hard time following rules, you became an artist.
Now, if you have a hard time following rules, you become an entrepreneur.
People in the literary world follow rules the most.
From a Wisconsin "Dogman," to a 400-pound giant turtle, to Martians that serve pancakes, B.J. Hollars' latest book, Midwestern Strange: Hunting Monsters, Martians, and the Weird in Flyover
A conversation with Patrick Coleman, loosely around his new book, The Churchgoer (Harper Perennial).
This is a story about humanity. It makes sense in that it proves most things don’t make sense. A
"Honestly, I don't care if language overtakes story."
Maybe ‘white trash American girl’ is a compliment over there?
If you were to sit down and watch an American beer commercial and then a Canadian one, they wouldn't be that different. Replace the eagle with a beaver.
Trent, and NIN, are way cooler and better. Also Trent is fucking hot.
The wonderful thing about teenagers — which is what he is now — is that they are very focused on their own lives and not the least bit interested in what their parents are up to.
The great thing about Betty and Rosalynn Carter working together was showing the world how to find common ground even when coming from different political stances. We could use a lot more of that right now.
Eva Hagberg Fisher's forthcoming book (out next week) How To Be Loved figuratively fell in my lap. I was at coffee with a friend, saying I needed a new book to read, but I needed that book to be about recovery because I just needed to be heard and understood, and lo and behold, my inbox pinged.
Leah Dieterich:’s Vanishing Twins A Marriage came onto my radar when I saw it described as a Barthes-like book of fragments about an open marriage. As I read it, I discovered that it’s a book about
“Transgressive and immediate: you feel these stories shoot through and wrap around you.”
- Kyle F. Williams, Full Stop Magazine
“Lutz’s work is a marvel of the possibilities of language. Each of her sentences is an intricately crafted thing, deeply complex yet crystalline in its clarity . . . her command of each and every word remains supreme.” --Mira Braneck, The Paris Review Daily
"Worsted sees the undeniable unicorn of the American sentence sprout pearlescent, fractally chiseled wings and take flight like Pegasus over the letters landscape." --Big Bruiser Dope Boy