I was in this movie. I was in this movie. I was in it. I was there. I was ripping in and out of the titles as they blinked across the screen. I was swimming through the avocado walls into the house

I. There’s a message from home—a place we call Pineapple for the two kinds of trees that hide it from the river. It’s a clipping from my father. No greeting, just a photo and a little

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

Mary Miller chose Becky Adnot-Haynes's "Baby Baby" as her selection for our 2012 Hobart Buffalo Prize. "Baby Baby" is included in Hobart 14, and Mary asked Becky a few questions about the story, specifically, and writing in general here.

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

A comic by one Hobart 14 contributor, Adrienne Celt, based on an essay from Hobart 14 by Charles McLeod.

The beginning of Jayson Hawkins's story, "Fire! Fire! Fire!" included in Hobart 14.

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

An interview with Hobart 14 cover artist, Hollis Brown Thornton, conducted by Christopher Higgs, through whose tumblr we were first introduced to Thornton's work.

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

A long time ago, somewhere between the year of personal vendetta and the year of night madness, a fortune-teller looked into my face and said, “You are both very beautiful and very unlucky. The two are not mutually exclusive.”

Django Unchained was the best movie I saw in 2012  (though Take Shelter and Moonrise Kingdom are a close second and third, respectfully) and certainly should be considered one of director

An alternate ending for "Stromatolites," the Buffalo-Prize winning story, selected by Elizabeth Ellen, by Robert James Shaw .

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"

The Atlanta AWP was the first one that I attended. Among many memories that explode to mind: perhaps the worst breakfast served by a restaurant to four people in the history of restaurants,

Jensen Beach looks back at Todd Cantrell's "Fitzhugh Falls" from Hobart January '11.

It is a well known but oft forgotten fact that children are unable to tell lies in the dark. With adults you can never be certain. Some can, some can’t. It depends upon the retained permeability of their heart. 

I vividly remember reading this piece for the first time, and being totally surprised, because I feel like it's not very often that you read a holiday story (and I mean a story that is about the

I can tell you right now that the visual of thousands of Santas running naked through the Finnish/Russian countryside with murder weapons in hand is basis enough on which to see Rare Exports. This