I fell in love with Lena Dunham from the first scene of the first episode of her hit TV show, Girls. I connected with... more
In my mind, I had already built a Lego wall around the perimeter of the yard, tall as the Siamese twin magnolia trees I sometimes sat in...
I was in this movie. I was in this movie. I was in it. I was there. I was ripping in and out of the titles as they blinked... more
I. There’s a message from home—a place we call Pineapple for the two kinds of trees that hide it from the river. It’s a... more
Burns looks out toward the road. He puts a hand up to the glass and shakes his head. “I can’t believe this,” he says, his breath fogging the... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done... more
Mary Miller chose Becky Adnot-Haynes's "Baby Baby" as her selection for our 2012 Hobart Buffalo Prize. "Baby Baby" is included in Hobart 14, and Mary asked Becky a few questions about the story, specifically, and writing in general here.
This month sees publication of our newest print issue, Hobart #14. As such,... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to... more
A comic by one Hobart 14 contributor, Adrienne Celt, based on an essay from Hobart 14 by Charles McLeod.
The beginning of Jayson Hawkins's story, "Fire! Fire! Fire!" included in Hobart 14.
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
An interview with Hobart 14 cover artist, Hollis Brown Thornton, conducted by Christopher Higgs, through whose tumblr we were first introduced to Thornton's work.
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
A long time ago, somewhere between the year of personal vendetta and the year of night madness, a fortune-teller looked into my face and said, “You are both very beautiful and very unlucky. The two are not mutually exclusive.”
Django Unchained was the best movie I saw in 2012 (though Take Shelter and Moonrise Kingdom are a close second and... more
An alternate ending for "Stromatolites," the Buffalo-Prize winning story, selected by Elizabeth Ellen, by Robert James Shaw .
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
This month sees publication of our newest print... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our... more
The Atlanta AWP was the first one that... more
Jensen Beach looks back at Todd Cantrell's "Fitzhugh Falls" from Hobart January '11.
It is a well known but oft forgotten fact that children are unable to tell lies in the dark. With adults you can never be certain. Some can, some can’t. It depends upon the retained permeability of their heart.
I vividly remember reading this piece for the first time, and being totally surprised, because I feel like it's not very... more
