Posts by Richard Prins
An Interview with Amy Gustine
Michael Deagler
Within its pages, the reader is invited to discover those wondrous things that only great short fiction can offer: an abbreviated window into disparate lives, intense and intricate moments of distress and disclosure, completely self-contained and executed in twenty-five pages or less (Deagler on Gustine's Collection).
Fun Person
Deirdre Coyle
He removed a wad of fabric from under the bed, pulling on boxers and an Anthrax t-shirt. I winced at the Anthrax logo—I knew better than to fuck guys into thrash metal—too late now.
Only Sunshine
Becky Mandelbaum
Her parents, Mary and Don, were overcome first by grief and then by caution: they purchased fire extinguishers and flame retardant blankets, put the fire department on speed dial and plugged the holes in the nursery wall with corks, so that the angry neighbors could not look in and make a spectacle of their only child. Julia was their everything
A Very Small Forest Fire
Andrew Duncan Worthington
Before we entered the most raved about amusement park in the world, we went into the woods nearby . . .
The Peculiar Draw of Orange
Eric Dovigi
John’s hands are on the wheel, very still, and he’s looking straight ahead at the dark yellow lines of Route 66.
Interview with Jade Sharma
Michael Deagler
The Millennial aspect is important because, like many Millennials, its protagonist does not wear labels easily.
Leonard/Fergus/Clemenza/Herbert/ Barzini/Lord Baltimore (noun)
Sarah Destin
You mean to say, “hello” or “good morning,” but you know that, between us, that would be strangely inappropriate before our morning cup of coffee
Two Daydrinking Stories
Bud Smith
We go to a bar for lunch that serves free candy.
Jared Machetes the Porch
Austin Hayden
Jared punches like dang. Gouges, arm-bars. Breaks windows at theme parties.
Interview with Sara Majka
Michael Deagler
But the true malevolence of Majka’s world—the thing that traps her characters in a state of lifelong discontent—most often manifests in mundane hauntings: regret and remorse, vanished love and vanished youth, feelings of dislocation and the inability to belong
An Interview With Christopher Boucher
Adam Novy
Christopher Boucher’s new novel, Golden Delicious (Melville House), is a kind of referendum on all we presently hold dear in fiction. Its emotional hold on the reader is very strong, but its avant-garde methods critique those special effects by explaining what they’re doing to your feelings while they do it, which somehow only makes the book more sad.
Pin the Tail on the Predator
Stevie Edwards
here were girls who sank/ a thousand leagues beneath his hips/ and never bobbed back for air. I came ashore/ in a body of my own, crooked gate/ and piano fingers
Solicitations
Benjamin Woodard
Two weeks after the scientist’s freak exposure, a man in black arrived at his front step. It was the weekend, and the man in black brought with him a gift: a jumble of neon material he removed from
An Interview with Amie Barrodale
Michael Deagler
The goal of short fiction is up for debate, but it seems to me that, if a story has a single job, it is to subvert the expectations of the reader.
B(Earth)day
Matthew Schmidt
I’m shoving fat candles into dirt,
blowtorching the wicks and tooting
horns.
I couldn’t render enough tallow
to properly honor over 4 billion years,
sorry,
you have so many hills.
Dunn and Hooper Standing in Dunn’s Yard
Brandon Barrett
The cousin had called my thesis advisor and said something like, “Hey, film professor cousin, can you do this film for us?” and my thesis advisor was like, “Hey, no. But I know a guy who is still unemployed four months after graduation and is about to get evicted.”