The man who used to be my husband wanted to hook up. “Right here,” he said after parking our Nissan Sable in the road we used to live on and killing the headlights
The man who used to be my husband wanted to hook up. “Right here,” he said after parking our Nissan Sable in the road we used to live on and killing the headlights
After last night, I’m no longer allowed at The Mint Bar. You could say it’s because I choked the owner’s daughter up against the wall next to the jukebox that only plays Cash songs—pushed her hard enough that a quarter fell from the coin slot—or you could say she deserved it.
After last night, I’m no longer allowed at The Mint Bar. You could say it’s because I choked the owner’s daughter up against the wall next to the jukebox that only plays Cash songs—pushed her hard enough that a quarter fell from the coin slot—or you could say she deserved it.
I’m in accounting. Sally in the lab. Among her other duties, Sally is an odor judge. Her nose is rather ordinary to look at, what my grandma might have called a button nose. But Sally’s nose is legend.
I’m in accounting. Sally in the lab. Among her other duties, Sally is an odor judge. Her nose is rather ordinary to look at, what my grandma might have called a button nose. But Sally’s nose is legend.
The Chetrams were from Trinidad and listened to Bollywood music on the weekends. They were good, hardworking people. Their kids were polite. They were not Muslims as far as their neighbors could tell, since Chetram liked Miller Lite and the daughter wore high-waisted shorts in the summer. It was not polite to inquire.
The Chetrams were from Trinidad and listened to Bollywood music on the weekends. They were good, hardworking people. Their kids were polite. They were not Muslims as far as their neighbors could tell, since Chetram liked Miller Lite and the daughter wore high-waisted shorts in the summer. It was not polite to inquire.
When the first billionaire exploded I was at the drive-thru with my dad.
When the first billionaire exploded I was at the drive-thru with my dad.
His voice, crisp like apple vodka, poured into the September air.
His voice, crisp like apple vodka, poured into the September air.
I looked up at Rudy, his back hitting the air like a ruler. The mind is an act of balance, he said, looking at me. It is a lever for the body.
I looked up at Rudy, his back hitting the air like a ruler. The mind is an act of balance, he said, looking at me. It is a lever for the body.
Who could need this much flesh? Four pounds of Louisiana crawfish, one pound of Alaskan king crab legs, six pounds swordfish steaks, a pound of oysters, three pounds lobster tails, five ribeye steaks, three New York strips, six T-bones, four packs of stew beef, two family packs of chicken drumsticks, and enough shrimp to fill five plastic shopping bags.
Who could need this much flesh? Four pounds of Louisiana crawfish, one pound of Alaskan king crab legs, six pounds swordfish steaks, a pound of oysters, three pounds lobster tails, five ribeye steaks, three New York strips, six T-bones, four packs of stew beef, two family packs of chicken drumsticks, and enough shrimp to fill five plastic shopping bags.
Last summer everyone was wrestling. Claudia started it. She said It’s been so long since I touched someone and threw Tobias on the ground.
Last summer everyone was wrestling. Claudia started it. She said It’s been so long since I touched someone and threw Tobias on the ground.
HEY THERE, Bill Baxter. This is your friend Sue Parnet. I just now saw your name pop up and decided it is time to see how you are doing.
HEY THERE, Bill Baxter. This is your friend Sue Parnet. I just now saw your name pop up and decided it is time to see how you are doing.
At the Metropolitan Ave Kmart, there was a parking lot in the sky.
At the Metropolitan Ave Kmart, there was a parking lot in the sky.
DAY 10:
The part of the novel where your character goes to Applebee’s to forget.
Love is like a museum. You have to look around, experience things, and then leave.
"[Her Lesser Work] is a collection of mordant and formally inventive stories circling themes of, let’s say, desire and escape within repressive structures."
-Walker Caplan, Literary Hub
