Little Death in Five Parts
Juliana Converse
I’m hoarse and feverish. We sing in the streets, “Feelin’ good was good enough for me, hee hee,” but then the breakfast booth only has two seats.
I’m hoarse and feverish. We sing in the streets, “Feelin’ good was good enough for me, hee hee,” but then the breakfast booth only has two seats.
I wear a velvet piece to the therapist’s office and she asks me to close my eyes. We agree to experience an illusion of me dancing...
I can’t stop watching teenage boys eat shit at the skate park.
It gives me real pleasure.
Every time I walk to the library
I pass my old friend’s house
who doesn’t live there,
or anywhere anymore.
Once a year I decide
I don't love you. It's
today. Watch me
not make you breakfast.
The child is only
this flesh I grew
and you tore
out of me.
Now it stirs in the
I've seen my friend Taylor sleeping
mouth open sometimes, one time with a boner
Whenever I've awoken him, he has
acknowledged my presence immediately
and put his hand in the
To love is to understand
the tsunami--
that it's just a thing the sea does
when it's been too long
missing the
but that's all about to change. My murder ballads, well, they prefer to terrify. I want to talk more about titular heroes. About what it means to kiss a goose. I mean, kill a goose. I want to do
everyone leaves the party
and I'm still at the party
I sleep on the floor some time later, leaving
a half-drunk Miller Lite within reach
there are mattresses
The first time i took an Adderall I fell in love and was in love
for four years.
The past kept living inside me like a cheap Timex. “Where are you going?” the store clerk said. But I heard my father in my head, practically dragging me from bed to bon voyage me out of Newark when this terminal was merely stairs, no moving sidewalks...
I built a Ferrari inside my white mouth
The shape of it was blue and up came the sun
I said hey, Ferrari and with my white mouth huffed it good, huffed it pretty
The throat of your pale moon heartscape contained me
I didn't imagine you could grow into your harness, that it could embed in your skin, that you could plod one circle for so long that actually stopping would open up the ache in your body.
And it is easy, so easy / to welcome them into the poem.
"I loved reading Exit, Carefully. It’s unusual, and in my opinion exciting, to publish a play without previously receiving a major production."
-Walker Caplan, Lithub