Four Poems
Su Cho
Field Notes in Haiku
I hear a giant
lives in a stardew valley
I follow the signs:
a knot of sparrows
outlines the shape of a nose—
cold autumn rainfall
the field of yarrow
turned
Field Notes in Haiku
I hear a giant
lives in a stardew valley
I follow the signs:
a knot of sparrows
outlines the shape of a nose—
cold autumn rainfall
the field of yarrow
turned
1
[meimei’s a meatness sis slug of blood boat the body tiger the teeth selfie tongue selfie chintilt selfie lilt her lily pucker her puss pin her skin back tap her mouth flap saps herself a shelf
I live my life by white lies.
And poetry is white lies.
Second language is white lies too.
As well as the first.
But language is the only way
to hide love.
White, black, transparent,
or
He paints using the ashes of the towers in his watercolors.
The air before me
is the flavor of
an oat cake popsicle.
Or a shoe box.
Or the water sports
I’m not doing.
So I sign for
a prescription
while all the world
is water sporting
in
Fifty cents for tickets in the bleachers—then. Fifty cents a railroad car to Pittsburgh.
A “marvel” they’d called it. Three tiers of steel, the façade terracotta, the balls off
the deck, bouncing.
Letterman wore khakis and the camera angled up his crotch. I watched every night or set my VCR to record on the rare occasion I left my apartment.
I ended up in right field, ponytail eschew, cap falling to the bridge of my nose, shadowing my freckled cheeks.
Love is like a museum. You have to look around, experience things, and then leave.
"[Her Lesser Work] is a collection of mordant and formally inventive stories circling themes of, let’s say, desire and escape within repressive structures."
-Walker Caplan, Literary Hub