three poems
Leah Dworkin
to gain followers I use my body then / I lose them with my poems
to gain followers I use my body then / I lose them with my poems
while i / in half-lotus / pluck stubble from / my belly
Rain drags its cage / through the neighborhood. You / see nothing but // trenches. Rusty shovels, / the alien rocks sprayed / like genitals.
For weeks after, I watched California burn / out my window & on the evening news & the ash // in my cheeks became the only way/ to pronounce home.
My dog keeps biting me when he’s scared / and, like anyone, is always scared.
With the bobby pin I’ve kept beneath my tongue all morning, / my fingers spring the lock to my parent’s bedroom // where mom’s cherry lipstick glows beneath a seashell lamp.
New Jersey as land of claws & fangs & deep fields of grass that stumble onto the side of the highway // New Jersey as fields of soft dirty ice // New Jersey as blondhairblueeyes slapping you in the face at lunch in the cafeteria in front of all your friends
I’ve mooned away my marriage, / grounded it, ripped the fuselage / in two, or is the better metaphor
to say I heard the countdown go / from ten to zero and didn’t even / try to stop my wife from breaking / the gravity of disaster planet me?
Field Notes in Haiku
I hear a giant
lives in a stardew valley
I follow the signs:
a knot of sparrows
outlines the shape of a nose—
cold autumn rainfall
the field of yarrow
turned
1
[meimei’s a meatness sis slug of blood boat the body tiger the teeth selfie tongue selfie chintilt selfie lilt her lily pucker her puss pin her skin back tap her mouth flap saps herself a shelf
I live my life by white lies.
And poetry is white lies.
Second language is white lies too.
As well as the first.
But language is the only way
to hide love.
White, black, transparent,
or
He paints using the ashes of the towers in his watercolors.
"I loved reading Exit, Carefully. It’s unusual, and in my opinion exciting, to publish a play without previously receiving a major production."
-Walker Caplan, Lithub