Serial Poem: Meimei
Kristin Chang
1
[meimei’s a meatness sis slug of blood boat the body tiger the teeth selfie tongue selfie chintilt selfie lilt her lily pucker her puss pin her skin back tap her mouth flap saps herself a shelf
1
[meimei’s a meatness sis slug of blood boat the body tiger the teeth selfie tongue selfie chintilt selfie lilt her lily pucker her puss pin her skin back tap her mouth flap saps herself a shelf
I live my life by white lies.
And poetry is white lies.
Second language is white lies too.
As well as the first.
But language is the only way
to hide love.
White, black, transparent,
or
He paints using the ashes of the towers in his watercolors.
The air before me
is the flavor of
an oat cake popsicle.
Or a shoe box.
Or the water sports
I’m not doing.
So I sign for
a prescription
while all the world
is water sporting
in
Fifty cents for tickets in the bleachers—then. Fifty cents a railroad car to Pittsburgh.
A “marvel” they’d called it. Three tiers of steel, the façade terracotta, the balls off
the deck, bouncing.
Letterman wore khakis and the camera angled up his crotch. I watched every night or set my VCR to record on the rare occasion I left my apartment.
I ended up in right field, ponytail eschew, cap falling to the bridge of my nose, shadowing my freckled cheeks.
I fear being buried alive, but I insist on being buried when I'm dead.
"I loved reading Exit, Carefully. It’s unusual, and in my opinion exciting, to publish a play without previously receiving a major production."
-Walker Caplan, Lithub