Killing Yourself to Live: a read on Brandon Cronenberg's Infinity Pool
Craigen Z Oster
This final image crushed me. It was a forewarning of what identity destruction can lead to if we
don’t truly understand ourselves to begin with.
This final image crushed me. It was a forewarning of what identity destruction can lead to if we
don’t truly understand ourselves to begin with.
I first saw Todd Field’s Tár in a packed theatre in Bloomfield Township, Michigan with a crowd
of mostly middle-aged and above upper to upper-middle class New Yorker-tote-bag liberal types.
During the first 20 or so minutes of the film I found myself annoyed, fidgeting in my seat and
groaning as I sat through the titular EGOT winner’s conversation with Adam Gopnick.
"It captures all the doubts, giddiness, confessional streaks, blabbiness, self-alarms, rationalizations, feigned equipoise, and instantly breakable resolves of a person freshly infatuated and likely in love." -anonymous writer friend
“Transgressive and immediate: you feel these stories shoot through and wrap around you.”
- Kyle F. Williams, Full Stop Magazine
“Lutz’s work is a marvel of the possibilities of language. Each of her sentences is an intricately crafted thing, deeply complex yet crystalline in its clarity . . . her command of each and every word remains supreme.”
--Mira Braneck, The Paris Review Daily
Garielle Lutz is the author of The Complete Gary Lutz, among other books.