This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done... more
Mary Miller chose Becky Adnot-Haynes's "Baby Baby" as her selection for our 2012 Hobart Buffalo Prize. "Baby Baby" is included in Hobart 14, and Mary asked Becky a few questions about the story, specifically, and writing in general here.
This month sees publication of our newest print issue, Hobart #14. As such,... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to... more
A comic by one Hobart 14 contributor, Adrienne Celt, based on an essay from Hobart 14 by Charles McLeod.
The beginning of Jayson Hawkins's story, "Fire! Fire! Fire!" included in Hobart 14.
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
An interview with Hobart 14 cover artist, Hollis Brown Thornton, conducted by Christopher Higgs, through whose tumblr we were first introduced to Thornton's work.
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
A long time ago, somewhere between the year of personal vendetta and the year of night madness, a fortune-teller looked into my face and said, “You are both very beautiful and very unlucky. The two are not mutually exclusive.”
An alternate ending for "Stromatolites," the Buffalo-Prize winning story, selected by Elizabeth Ellen, by Robert James Shaw .
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more
This month sees publication of our newest print... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our... more
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our... more
In the fall of Helga Vierksen’s death, I was seven years old.
"I didn't want to ever be outside of this moment. I knew at some point I would look at the picture I'd just taken and feel an overwhelming sense of loss. I thought as long as we could manage to stay inside this particular hotel room, to avoid our phones and every person with whom we'd ever come into contact, we would continue to feel whole. We were revolutionaries, goddamnit. These were our accumulation of beautiful moments. Before the world fractured us. I don't expect you to understand how I became Brad Pitt in that moment, how we all just flew along down the highway. Bandits. Ex-patriots. In love with this countryside, if not this country. Paper Moon. The Last Picture Show. All of this shot in black and white. Only the final scene in color."
FOUR NEW ESSAYS BY CHLOE CALDWELL! Plus the original essays that made you fall in love with Chloe!
Jason Phoebe Rusch is a queer writer from the Chicago suburbs. His full-length debut Dualities explores gender and patriarchy from the perspective of a man who was socialized and is currently still read as a woman. He is interested in complication and nuance and messy human failing, his own and that of others.
