Mary Miller chose Becky Adnot-Haynes's "Baby Baby" as her selection for our 2012 Hobart Buffalo Prize. "Baby Baby" is included in Hobart 14, and Mary asked Becky a few questions about the story, specifically, and writing in general here.

This month sees publication of our newest print issue, Hobart #14. As such,... more

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to... more

A comic by one Hobart 14 contributor, Adrienne Celt, based on an essay from Hobart 14 by Charles McLeod.

The beginning of Jayson Hawkins's story, "Fire! Fire! Fire!" included in Hobart 14.

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more

An interview with Hobart 14 cover artist, Hollis Brown Thornton, conducted by Christopher Higgs, through whose tumblr we were first introduced to Thornton's work.

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more

A long time ago, somewhere between the year of personal vendetta and the year of night madness, a fortune-teller looked into my face and said, “You are both very beautiful and very unlucky. The two are not mutually exclusive.”

Django Unchained was the best movie I saw in 2012  (though Take Shelter and Moonrise Kingdom are a close second and... more

An alternate ending for "Stromatolites," the Buffalo-Prize winning story, selected by Elizabeth Ellen, by Robert James Shaw .

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany... more

This month sees publication of our newest print... more

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to... more

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our... more

This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our... more

The Atlanta AWP was the first one that... more

Jensen Beach looks back at Todd Cantrell's "Fitzhugh Falls" from Hobart January '11.

It is a well known but oft forgotten fact that children are unable to tell lies in the dark. With adults you can never be certain. Some can, some can’t. It depends upon the retained permeability of their heart. 

I vividly remember reading this piece for the first time, and being totally surprised, because I feel like it's not very... more

I can tell you right now that the visual of thousands of Santas running naked through the Finnish/Russian countryside with... more

Cynthia wakes to coffee smell and the sounds of William getting breakfast ready for the kids. She closes her eyes and for a moment, it is as... more

I got off, one night, at the exit to pee, / but was afraid to enter the shop. Afraid / of the porn, I parked behind the shaft

Lugging along next to me on the elliptical is an older gentleman – about the age my dad would have been – wearing two high-tech knee braces, fit with gears and everything, and what looks like an old-fashioned weight belt. He’s a regular at the fitness center, same as me. We’ve acknowledged each other on occasion and said a thing or two in the sauna, but never a real question-and-answer. I’ve always wondered about his knees.