Showing results for Interview
The stories in Virgin blew me away with their strange sexy intelligence and overall aliveness.
an interview with Chris Bachelder, by Aaron Burch
I think ten t-shirts would be too many to write about, but I’m perversely hoping that twenty-two is somehow not too many. A writer can, I think, pass beyond “too many” or “too much” to a sense of rightness or aptness. The paradox: More than too much is sometimes not too much.
Within its pages, the reader is invited to discover those wondrous things that only great short fiction can offer: an abbreviated window into disparate lives, intense and intricate moments of distress and disclosure, completely self-contained and executed in twenty-five pages or less (Deagler on Gustine's Collection).
But the true malevolence of Majka’s world—the thing that traps her characters in a state of lifelong discontent—most often manifests in mundane hauntings: regret and remorse, vanished love and vanished youth, feelings of dislocation and the inability to belong
Christopher Boucher’s new novel, Golden Delicious (Melville House), is a kind of referendum on all we presently hold dear in fiction. Its emotional hold on the reader is very strong, but its avant-garde methods critique those special effects by explaining what they’re doing to your feelings while they do it, which somehow only makes the book more sad.
Zachary Tyler Vickers & Pat Siebel
Likely I’ll fail to properly introduce Zachary Tyler Vickers’... more
I’m pretty sure very few people fantasize about being burned at the stake, but I do think there’s something fantasy-like in a witch burning – putting a ‘dangerous’ woman in a submissive pose, publicly humiliating her, watching her scream and writhe as her clothes and then flesh burn away.
You interviewing me for Hobart is pretty much the peak of my hustle. Maybe this is me selling out. Maybe this is growing up.
Bryan Hurt & Miles Klee
I first came to know Miles Klee when I published him in my anthology,... more
Misery Needs Jokes: A Conversation with Jon-Michael Frank, author of How’s Everything Going? Not Good
The third episode of Louis C.K.’s new... more
Eventually, I turned to memoir because I wanted to stay in scene. I craved space. I believe in the connection between poetry and memoir. It’s no coincidence that some of our best memoirs have come from poets: Mary Karr, Nick Flynn, Lucy Grealy, Mark Doty, Maggie Nelson, and Sarah Manguso—that list could go on-and-on.
According to my parents, I was obedient from birth—I emerged in silence and then slept through the night. I was just never interested in rebelling—even as a “punk,” I got good grades and was always home by curfew.
Here’s a statistic: After reading Brian Oliu’s Enter Your Initials For Record Keeping, I’ve spent more of my life reading Oliu than playing basketball.
Kilpatrick on the artist’s political responsibilities (these are apparently multiple): Hate has more borders than I can muster into the capability of a vision. That’s why I scream in short bursts.
Flashes of Life
Featuring poems that engage songs by artists ranging from The White Stripes to Bruce Sprinsteen, David Bowie to Otis Redding; lists of albums; daily timestamps as poems; remixes and everything in between; Flashes of Light evokes not just the way we listen to music, but all the ways we interact with the music in our life.
Over For Rockwell
They say it takes an average person about 10 years to master a given thing. This was my thinking in 1995 when I dropped out of college in Iowa City to draw comics.