Showing results for Interview
Roxane Gay took me out to dinner five years ago. It was Roxane, Ashley C. Ford and me. We were in... more
The book reveals as much about the reader’s psyche, about the self and the readers’ reaction to reading it, as it does about the author— this deeply personal thing, a dream, so full of symbols we imbue with our own shared and cultural meanings.
I read the first half of Dust Bunny City (Disorder Press, 2017) at a party, while I was sober. Men were playing darts, making tiny dart holes in the rented apartment walls. I watched them throw darts and cheer and try to teach me how to play, and then drunkenly play with the dogs in the house and then went back to my reading.
Grodstein is the author of four previous books, including the New York Times bestseller A Friend of the Family and the Washington Post Book of the Year The Explanation for Everything. She was kind enough to answer some of my questions regarding OUR SHORT HISTORY, out now from Algonquin Books.
Gregory Lee Sullivan
I’m fascinated by the idea of nonlinear time — that linear time is a construct we use to make sense of the world. Now, maybe without linear time we’d all be mad. But I find great comfort in accepting the idea, intellectually, that linear time isn’t necessarily real.
BESTIARY was released in October of 2016 by Graywolf Press and has garnered a great deal of praise, including being longlisted for the 2016 National Book Award in Poetry. Kelly was kind enough to answer a few of my questions via email regarding the notion of self in poetry, how trauma and grief can manifest in art, and how her critical work informs (or fails to inform) her poetry.
"You look like you're trying to write the Great American Novel, which makes me want to barf": An Interview with Kevin Wilson
The stories in Virgin blew me away with their strange sexy intelligence and overall aliveness.
an interview with Chris Bachelder, by Aaron Burch
I think ten t-shirts would be too many to write about, but I’m perversely hoping that twenty-two is somehow not too many. A writer can, I think, pass beyond “too many” or “too much” to a sense of rightness or aptness. The paradox: More than too much is sometimes not too much.
Within its pages, the reader is invited to discover those wondrous things that only great short fiction can offer: an abbreviated window into disparate lives, intense and intricate moments of distress and disclosure, completely self-contained and executed in twenty-five pages or less (Deagler on Gustine's Collection).
But the true malevolence of Majka’s world—the thing that traps her characters in a state of lifelong discontent—most often manifests in mundane hauntings: regret and remorse, vanished love and vanished youth, feelings of dislocation and the inability to belong
a set of linked stories with some of the same characters from Person/a and a lot of new ones and the world is the same but different from the world in Person/a and the stories take place in a year absent from Person/a. if that makes sense. contains the Pushcart Prize winning story "Teen Culture" from American Short Fiction, if that's something that moves you to buy books. <3
Legs Get Led Astray
FOUR NEW ESSAYS BY CHLOE CALDWELL! Plus the original essays that made you fall in love with Chloe!
"Ellen’s gigantic, circular novel leaves everything on the page. It’s one of the most thoughtful and creative books I’ve read in a long time."
—Chicago Review of Books, "The Best Books of 2017 (So Far)"
"PERSON/A is a fresh take on familiar feelings of loss and obsession. The novel feels like half autobiography, half fiction, and both halves will leave readers stunned."
—The Los Angeles Review