This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
Mary Miller chose Becky Adnot-Haynes's "Baby Baby" as her selection for our 2012 Hobart Buffalo Prize. "Baby Baby" is included in Hobart 14, and Mary asked Becky a few questions about the story, specifically, and writing in general here.
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
A comic by one Hobart 14 contributor, Adrienne Celt, based on an essay from Hobart 14 by Charles McLeod.
The beginning of Jayson Hawkins's story, "Fire! Fire! Fire!" included in Hobart 14.
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
An interview with Hobart 14 cover artist, Hollis Brown Thornton, conducted by Christopher Higgs, through whose tumblr we were first introduced to Thornton's work.
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
A long time ago, somewhere between the year of personal vendetta and the year of night madness, a fortune-teller looked into my face and said, “You are both very beautiful and very unlucky. The two are not mutually exclusive.”
An alternate ending for "Stromatolites," the Buffalo-Prize winning story, selected by Elizabeth Ellen, by Robert James Shaw .
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
This month sees publication of our newest print issue, Hobart #14. As such, and as we have done to accompany our last few print issues, we are devoting the entire month to various "bonus materials"
"I loved reading Exit, Carefully. It’s unusual, and in my opinion exciting, to publish a play without previously receiving a major production."
-Walker Caplan, Lithub
“Lutz’s work is a marvel of the possibilities of language. Each of her sentences is an intricately crafted thing, deeply complex yet crystalline in its clarity . . . her command of each and every word remains supreme.”
--Mira Braneck, The Paris Review Daily
Garielle Lutz is the author of The Complete Gary Lutz, among other books.
"[Her Lesser Work] is a collection of mordant and formally inventive stories circling themes of, let’s say, desire and escape within repressive structures."
-Walker Caplan, Literary Hub
"Her Lesser Work is full of power and it takes risks and it's alive and real and it fixes a very sharp eye on the shit humans do to each other and themselves."
-Lindsay Lerman, LitReactor
