Just in time for the opening bell (or is it more approrpriately an opening toast) of AWP in Boston tomorrow, we present Daniel Torday's "A&W&P." We first ran this story before AWP last

The Atlanta AWP was the first one that I attended. Among many memories that explode to mind: perhaps the worst breakfast served by a restaurant to four people in the history of restaurants,

Jensen Beach looks back at Todd Cantrell's "Fitzhugh Falls" from Hobart January '11.

It is a well known but oft forgotten fact that children are unable to tell lies in the dark. With adults you can never be certain. Some can, some can’t. It depends upon the retained permeability of their heart. 

I vividly remember reading this piece for the first time, and being totally surprised, because I feel like it's not very often that you read a holiday story (and I mean a story that is about the

Elizabeth Ellen looks back at Tao Lin's "The Novelist" from Hobart, Aug./Sept. '04.

Matthew Simmons looks back at Amy Minton's "Overhanded" from Hobart, May '07, and also her interviews, and just her awesomeness in general.

Jac Jemc looks back at Spencer Dew's "The Exit Colony" from Hobart October '04.

Jensen Beach looks back at Glen Pourciau's "Belly" from Hobart October '08.

Aaron Burch looks back at two Aaron Gwyn shorts from Hobart, early 2002.

Kevin Wilson is the author of a story collection, Tunneling to the Center of the Earth(Ecco/Harper Perennial, 2009), and a novel, The Family Fang (Ecco, 2011). He lives and teaches in Sewanee, TN.Kevin Wilson is the author of a story collection, Tunneling to the Center of the Earth(Ecco/Harper Perennial, 2009), and a novel, The Family Fang (Ecco, 2011). He lives and teaches in Sewanee, TN.