FICTION ISN’T REAL: Elizabeth Ellen Interviews Dennis Cooper
Elizabeth Ellen
“He couldn’t decide if he wanted to draw David, fuck him, beat him up or fall in love with him.”
-Dennis Cooper, Closer
When I first began earnestly wanting to be a writer,
“He couldn’t decide if he wanted to draw David, fuck him, beat him up or fall in love with him.”
-Dennis Cooper, Closer
When I first began earnestly wanting to be a writer,
What does a lifetime of loneliness look like, feel like in the body? Athena Dixon examines this question in her second book, The Loneliness Files, published by Tin House, and edited by one of my
Internet celebrity Melissa Broder’s third novel is what one Goodreads user accurately deemed an “existential horny cactus western.”
To repeat something can be a form of stuckness. But it can also be an ecstatic cry.
I did become very close to many people in the McSweeney’s universe. A lot of those people were great, and a lot of them were just ambitious people with no integrity whatsoever.
Definitely one poet holdover is just being a magpie for weird
I’m interested in these conversations more than anything else, moments in which we care for and about each other in a world that says nothing’s more important than self-care after a productive day at work, where we’re constantly pit against each other, forced to compete with our peers to earn and preserve the right to exist.
Ruth Madievsky’s debut novel All-Night Pharmacy has everything I want from a book: a toxic sister relationship, countless nights at a seedy LA nightclub, and an unexpected sapphic romance. After her
Bliss can flip into alienation and back into elation, adding to the teasing uncertainty of identity.
like HFCA is kind of artless manipulation
it’s not subtle
I guess my approach is not to take myself too seriously, which sounds kind of dumb and obvious, and just to write the sort of book I most like to read, which is usually something heavy but also light on its feet, fast-paced and horny, and generally not too full of itself.
Now I don’t care anymore. I’m writing posthumously; I’m invisible now – like an “aging actress”!
When I was a younger man in my early 20s slumming about Watauga County in the Blue Ridge Mountains of North Carolina living off of sacks of potatoes, Top Ramen, and 50 cent day-old bread from Jimmy John's in the midst of a youthful exploration of self-discovery, my primary means of spiritual sustenance being $2 40 oz bottles of malt liquor, my relationships with scoundrels, endearing friends, an abundance of hedonism, a lack of responsibility, a poor boy’s decadence, bright-eyed women, and Kamel Red cigarettes, Elizabeth Ellen was the first literary publisher to accept any work that I’d submitted. This was circa 2014. Felt that she was the Hackmuth to my Great Bandini.
Once upon a time, long before she was on Good Morning America, I met the kindest writer on Twitter. Not only was she a relatable mother-writer, but she also understood Scrivener. This was absolutely
"Style, jokes, slapstick, serious ideas, and shit-talk"
A Flash Book Review of "The Apology" and Brief Interview with Christian TeBordo
When you work in an office (or maybe any job, but in my
Often when I got poor grades as a child, and I often did, I would be told that if I wanted to be the CEO of Playboy I had to do better in school.
You’ve heard of Leigh Chadwick, of course. She’s a force of nature, a clear, true Twitter voice, even your favorite poet, perhaps? She’s a writer whose poetry combines form and imagery in unique,
Chloe N. Clark is a writer, teacher, editor, and frequent Twitter chef. (See here.) I’ve taken a ton of her poetry and prose workshops, and been lucky enough to have published two stories in the
Hobart and HAD contributor Rebecca van Laer's debut novella How to Adjust to the Dark (Long Day Press, April 12) weaves together poetry, fiction, and criticism to follow the narrator Charlotte as she
You might be reluctant to try liver mush. You might think it’s not for me. But you are at a party, and you’ve been cornered by a stranger, and there’s nobody else there you really want to talk to, and
And at its core, it’s a book about candor and creation and intimacy and talking about things that often go unsaid.
And if memoirs allow us to relive the past, novels give us a chance to change it.
Whimsy is not as prominently scarred as she imagines herself to be, but this obsession with her face leads her to sabotage her relationships because her insecurity is so destructive.
Aileen Weintraub is one of those incredibly funny writers who also has that superpower to make you cry against your will. You may have read her pieces about pregnancy, motherhood, aging, and more –
I think Westerners, and Americans especially, struggle with “autofiction” since their conceptions of self are so fixed.
"I loved reading Exit, Carefully. It’s unusual, and in my opinion exciting, to publish a play without previously receiving a major production."
-Walker Caplan, Lithub