Showing results for Interview
an interview with Chris Bachelder, by Aaron Burch
I think ten t-shirts would be too many to write about, but I’m perversely hoping that twenty-two is somehow not too many. A writer can, I think, pass beyond “too many” or “too much” to a sense of rightness or aptness. The paradox: More than too much is sometimes not too much.
Within its pages, the reader is invited to discover those wondrous things that only great short fiction can offer: an abbreviated window into disparate lives, intense and intricate moments of distress and disclosure, completely self-contained and executed in twenty-five pages or less (Deagler on Gustine's Collection).
But the true malevolence of Majka’s world—the thing that traps her characters in a state of lifelong discontent—most often manifests in mundane hauntings: regret and remorse, vanished love and vanished youth, feelings of dislocation and the inability to belong
Christopher Boucher’s new novel, Golden Delicious (Melville House), is a kind of referendum on all we presently hold dear in fiction. Its emotional hold on the reader is very strong, but its avant-garde methods critique those special effects by explaining what they’re doing to your feelings while they do it, which somehow only makes the book more sad.
Zachary Tyler Vickers & Pat Siebel
Likely I’ll fail to properly introduce Zachary Tyler Vickers’ debut,<a class="more" href="/web_features/finding-your-place-via-place-an-interview-with-zachary-tyler-vickers">... more</a>
I’m pretty sure very few people fantasize about being burned at the stake, but I do think there’s something fantasy-like in a witch burning – putting a ‘dangerous’ woman in a submissive pose, publicly humiliating her, watching her scream and writhe as her clothes and then flesh burn away.
You interviewing me for Hobart is pretty much the peak of my hustle. Maybe this is me selling out. Maybe this is growing up.
Bryan Hurt & Miles Klee
I first came to know Miles Klee when I published him in my anthology,<a class="more" href="/web_features/everything-is-real-shit-a-gchat-exchange-between-bryan-hurt-amp-miles-klee">... more</a>
Misery Needs Jokes: A Conversation with Jon-Michael Frank, author of How’s Everything Going? Not Good
The third episode of Louis C.K.’s new<a class="more" href="/web_features/misery-needs-jokes-a-conversation-with-jon-michael-frank-author-of-how-rsquo-s-everything-going-not-good">... more</a>
Eventually, I turned to memoir because I wanted to stay in scene. I craved space. I believe in the connection between poetry and memoir. It’s no coincidence that some of our best memoirs have come from poets: Mary Karr, Nick Flynn, Lucy Grealy, Mark Doty, Maggie Nelson, and Sarah Manguso—that list could go on-and-on.
According to my parents, I was obedient from birth—I emerged in silence and then slept through the night. I was just never interested in rebelling—even as a “punk,” I got good grades and was always home by curfew.
Here’s a statistic: After reading Brian Oliu’s Enter Your Initials For Record Keeping, I’ve spent more of my life reading Oliu than playing basketball.
Kilpatrick on the artist’s political responsibilities (these are apparently multiple): Hate has more borders than I can muster into the capability of a vision. That’s why I scream in short bursts.
“Be a sadist. No matter how sweet and innocent your leading characters, make<a class="more" href="/web_features/the-nicest-guy-in-the-world-an-interview-with-arthur-bradford">... more</a>
A 400-page collection of poems in fours sections: Nicki Minaj Songs, Bob Dylan Songs, Elliott Smith Songs, and 90s Riot Grrrls Songs.
Legs Get Led Astray
FOUR NEW ESSAYS BY CHLOE CALDWELL! Plus the original essays that made you fall in love with Chloe!
Jason Phoebe Rusch
Jason Phoebe Rusch is a queer writer from the Chicago suburbs. His full-length debut Dualities explores gender and patriarchy from the perspective of a man who was socialized and is currently still read as a woman. He is interested in complication and nuance and messy human failing, his own and that of others.