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Joshua James Amberson
He had a few of the things that fooled the casual observer into thinking they were dealing with a grown man—useless gadgets, a five o'clock shadow, shirts with buttons on them—but in recent years he had given up the ruse and had reverted, at least internally, to the one thing that had made him happy as a child: baseball.
Our language is rapid and hard but we’re young so we giggle, too. We’re loitering. We pool our change to buy chips from the machine. Someone is expecting us. We’re not free.
"I didn't want to ever be outside of this moment. I knew at some point I would look at the picture I'd just taken and feel an overwhelming sense of loss. I thought as long as we could manage to stay inside this particular hotel room, to avoid our phones and every person with whom we'd ever come into contact, we would continue to feel whole. We were revolutionaries, goddamnit. These were our accumulation of beautiful moments. Before the world fractured us. I don't expect you to understand how I became Brad Pitt in that moment, how we all just flew along down the highway. Bandits. Ex-patriots. In love with this countryside, if not this country. Paper Moon. The Last Picture Show. All of this shot in black and white. Only the final scene in color."
Legs Get Led Astray
FOUR NEW ESSAYS BY CHLOE CALDWELL! Plus the original essays that made you fall in love with Chloe!
Jason Phoebe Rusch
Jason Phoebe Rusch is a queer writer from the Chicago suburbs. His full-length debut Dualities explores gender and patriarchy from the perspective of a man who was socialized and is currently still read as a woman. He is interested in complication and nuance and messy human failing, his own and that of others.