Showing results for Nonfiction
I was twelve going on thirteen when I first saw Stand By Me. I guess that would have made it 1990. As the narrator, Gordie Lachance, says about the first time he saw a dead human being, as voiceover at the beginning of the movie: “a long time ago… but only if you measure terms in years...
When I watch porn with my husband, I notice the places where the woman’s spray tan isn’t perfect. It isn’t her fault, it’s her spray tan technician. I point out the little white half-moons underneath her ass cheeks when she bends over. I point to them on screen and say, “I can do a way better job than that.”
At one point, Justin’s stick got swatted and went flying. He hesitated for a moment, before strut-skating to the bench. This is not something a hockey player would normally do, just leave an unbroken stick on the ice during a non-competitive game. Someone eventually pushed the stick over to the dark team’s bench. “Pick it up,” Tony heard him say. For a second, Tony thought Justin was talking to him. Turns out he was talking to his bodyguard.
Luke walks that line inbetween doing his booty-shaking and grinding on stage and also seeming like your “cool” youth pastor and that's not a knock. I love Luke Bryan and there's something about him that seems so genuine and sweet, I can't even picture him being fussy or rude with anyone.
Over the course of being mounted by this tome, I took up a pipe, drank scotch from an airplane toilet, consigned to rubbing myself down with strange bleaches, minced any sense of diet intentionally diabetic by an assortment of binge ate junk...
A linked story collection detailing the relationship between the 40-year-old narrator, her eighth-grade daughter, Eli, and her daughter’s best friend, Saul. Includes the Pushcart Prize winning story "Teen Culture."
Legs Get Led Astray
The original 2012 essay collection, redesigned and with three new essays by the author.
"Ellen’s gigantic, circular novel leaves everything on the page. It’s one of the most thoughtful and creative books I’ve read in a long time."
—Chicago Review of Books, "The Best Books of 2017 (So Far)"
"PERSON/A is a fresh take on familiar feelings of loss and obsession. The novel feels like half autobiography, half fiction, and both halves will leave readers stunned."
—The Los Angeles Review
"I’m more stunned than able to decide or articulate what I really feel about Person/a, and that’s marvelous."
—The Lit Pub