March 5, 2013 | from the vault
A&W&P
Daniel Torday
Just in time for the opening bell (or is it more approrpriately an opening toast) of AWP in Boston tomorrow, we present Daniel... more
Showing results for From The Vault
December 31, 2012 | Nonfiction, from the vault
From the Vault: Redefining All-You-Can-Eat: Our 14-Hour Challenge to Ryan's Steakhouse by Blake Butler
The Atlanta AWP was the first one that... more
December 28, 2012 | from the vault, Fiction
From the Vault: Fitzhugh Falls by Todd Cantrell
Jensen Beach looks back at Todd Cantrell's "Fitzhugh Falls" from Hobart January '11.
December 27, 2012 | from the vault
From the Vault: That Which Is Revealed in the Absence of Light by Elizabeth Ellen
It is a well known but oft forgotten fact that children are unable to tell lies in the dark. With adults you can never be certain. Some can, some can’t. It depends upon the retained permeability of their heart.
December 26, 2012 | from the vault
From the Vault: Almond Bark
I vividly remember reading this piece for the first time, and being totally surprised, because I feel like it's not... more
September 1, 2012 | from the vault, Fiction
from the vault: The Novelist by Tao Lin
Elizabeth Ellen looks back at Tao Lin's "The Novelist" from Hobart, Aug./Sept. '04.
September 1, 2012 | Fiction, from the vault
from the vault: Overhanded by Amy Minton
Matthew Simmons looks back at Amy Minton's "Overhanded" from Hobart, May '07, and also her interviews, and just her awesomeness in general.
September 1, 2012 | Fiction, from the vault
from the vault: The Exit Colony by Spencer Dew
Jac Jemc looks back at Spencer Dew's "The Exit Colony" from Hobart October '04.
September 1, 2012 | Fiction, from the vault
from the vault: Belly by Glen Pourciau
Jensen Beach looks back at Glen Pourciau's "Belly" from Hobart October '08.
September 1, 2012 | Fiction, from the vault
from the vault: Two Shorts by Aaron Gwyn
Aaron Burch looks back at two Aaron Gwyn shorts from Hobart, early 2002.
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HOBART 14
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Other Kinds
Dylan Nice
“Dylan Nice's Other Kinds is the most extraordinary short-story-collection debut I have read in years. It is a book to be memorized.” – Gary Lutz
“His voice is startlingly mature and powerful — capable of probing the darkness with a lyricism that illuminates and enlivens the spirit.” – Diane Williams
