Showing results for Movie Reviews
Must we insist on doling out movies by the stratagem?
A Review of By the Sea, or, How to Be An Artist and Female, I.e. How to be Unlikable, or, How to (Not) Pander
And now I am left wondering how The End of the Story might have been different, what more we might have found out, had ‘Vincent’ not been a presence in that flowered armchair, had Lydia not been conscious of him invoking rules: there shouldn’t be any intimate scenes.
I’m a stockpiling cakemix of a man trapped in the well Tarantino dug for me around age eleven.
If you’re of the age to have returned that difficult game (I’m too trapped nowhere between gen Xers and millennials to pipe up about this or anything, though I favor the X for its aesthetic absurdities pluming in the early-to-mid 90s culture that raised me), or are of the mindset to grouse at the receipt for any difficult entertainment, then your whole life is probably you snitching on yourself under the guise of being genuine, and you should continue to embrace your deciphered and dimensionally rounded community of bullshit Star Wars enthusiasm which predominately infects the arts (or get fucked in your ball cap).
If someone insists you smile, it might as well be rape. This movie found a way to nitpick itself the way these types nitpick everyone around them about presenting the right attitude. Someone in this land will always be subjecting you to the editorial fructose of their imperial fertility. If Bird’s intent was to satirize our fretful American condition, I didn’t understand, because I left the fucking theater right when the film began – about an hour in.
A linked story collection detailing the relationship between the 40-year-old narrator, her eighth-grade daughter, Eli, and her daughter’s best friend, Saul. Includes the Pushcart Prize winning story "Teen Culture."
Legs Get Led Astray
The original 2012 essay collection, redesigned and with three new essays by the author.
"Ellen’s gigantic, circular novel leaves everything on the page. It’s one of the most thoughtful and creative books I’ve read in a long time."
—Chicago Review of Books, "The Best Books of 2017 (So Far)"
"PERSON/A is a fresh take on familiar feelings of loss and obsession. The novel feels like half autobiography, half fiction, and both halves will leave readers stunned."
—The Los Angeles Review
"I’m more stunned than able to decide or articulate what I really feel about Person/a, and that’s marvelous."
—The Lit Pub