Showing results for Dispatches
Bro Country is not all that different from dudes in general and real life. I've dated enough white dudes and went to college in Kentucky and I've been to, like, twenty-five Dave Matthews Band concerts, so, trust me, I know this stuff.
The first month after my ex-girlfriend and I broke up I spent a lot of time driving aimlessly and sitting alone in my apartment listening to music and feeling sorry for myself.
Idk what it is but I’ve never liked Thomas Street Tavern. It was even listed on the itinerary of “Bars We Don’t Fuck With” one night when my roommate and I got drunk and devised a plot to attend all of the neighborhood bars we never go to.
There is nothing romantic about being young and dark and confused. Pain is real. It's funny on Twitter but it sucks irl.
Age 10: Wrote an essay for school about how I wanted to be a rapper when I grew up. When I got home and told my dad about it he said "Rap for me" then lay in my bed while I rapped "Lose Yourself" by Eminem for him. When I finished he told me I needed to "get into it more, not just stand there with [my] hands in my pockets."
When you love someone who won’t love you back, that is your full time job.
One morning I wake up and there are over thirty new texts on my phone, all from him. While I was sleeping, we got into an argument, made up, and then started fighting again, all without my knowledge or participation. Right now he is breaking up with me.
I had my bags packed and was getting ready to leave with two insane-seeming girls who offered me sex in exchange for a ride to Cleveland when a few patients stopped me and essentially pushed me into the lecture hall. I don't know why I didn't put up more of a fight -
A linked story collection detailing the relationship between the 40-year-old narrator, her eighth-grade daughter, Eli, and her daughter’s best friend, Saul. Includes the Pushcart Prize winning story "Teen Culture."
Legs Get Led Astray
The original 2012 essay collection, redesigned and with three new essays by the author.
"Ellen’s gigantic, circular novel leaves everything on the page. It’s one of the most thoughtful and creative books I’ve read in a long time."
—Chicago Review of Books, "The Best Books of 2017 (So Far)"
"PERSON/A is a fresh take on familiar feelings of loss and obsession. The novel feels like half autobiography, half fiction, and both halves will leave readers stunned."
—The Los Angeles Review
"I’m more stunned than able to decide or articulate what I really feel about Person/a, and that’s marvelous."
—The Lit Pub